The installation process for Harrison Mixbus is pretty straightforward. The master bus and stereo mix buses include side-chaining, tone controls, tape saturation emulation and compression. The channel strip is powered by a 4 th generation DSP engine to provide a sound quality as analog as possible. Mixbus 32C also incorporates export features like simultaneous multi-format exports, multitrack stem export, CD track markers, multiple export ranges, silence trimming, command-line arguments to run scripts or third-party encoders. It also comes with loudness analysis tools like Loudness Unit histogram, LUFS loudness measurement, Waveform display, LU range and more. It has support for video window, video timeline and audio/video exports. LTC generation and sync are built into 32C and it also includes Persistent Undo. It even supports video syncing and locking up with other systems. Mixbus 32C is a full-fledged DAW with mixing, recording, using MIDI tracks and instruments, sequencing and other functions. The difference is in the sound as Mixbus is modeled after the Harrison console sound while 32C is modeled after a specific console, the one that Bruce Swedien used to mix records. While 32C has more busses, the overall feel and functionality remain the same. Harrison Mixbus, as well as Mixbus 32C, are quite similar. The track allows entering markers along the timeline to create tempo changes. The most common application is creating a tempo map for a source recording made without a click track. Individual channels can be assigned to multiple VCA faders.Īnother useful feature is tempo mapping. VCA faders can be automated and assigning channels to a fader is quite simple. You can add unlimited VCA faders with mute, level and solo control available for each. The most significant feature of Mixbus 4 is the addition of VCA faders. You can also use the XT-series of Harrison plug-ins purchased individually. Though it has MIDI, instrument and audio plugins included, it is possible to use third-party offerings in different formats including LV2, UA and VST. It gives unlimited audio, instrument and MIDI tracks and up to 8 buses for signal routing. It supports both 32 and 64-bit architectures. Harrison Mixbus 4 is a fully-featured DAW running on Windows XP or newer, Mac X 10.6.8 or newer and Linux Kernel 2.6 or newer. With an extensive range of tools and features, it offers an amazing value for money. Mixing with Mixbus is definitely a big step in the right direction. Harrison Mixbus is ideal for engineers and producers working with live musicians. You need to import tracks from another DAW.It is possible to bounce out multiple formats, stems and time ranges at the same time. Use of faders and built-in EQ and filters lets you get a feel of an analog console.īouncing a mix is also easy and powerful. Harrison Mixbus does a great job at balancing the tracks with the mixer. There are multiple fade taper options to choose from. One can draw fades in place and get accurate crossfades. Editing audio is also easy and flexible with a lot of comprehensive editing tools and modes. It is easy to drag and import tracks as well as record tracks. You can get tracks into Mixbus by either importing or recording. It opens with a Mixer window by default and lets you play around with controls. Mixbus operates in two different ways – Mixer and Editor. It also has a signal flow order window which allows arranging each piece of processing, hardware inserts and auxiliary sends in any order. Harrison Mixbus provides an unlimited number of MIDI, audio and auxiliary tracks which are fed into subgroups and the main stereo bus. Tracks are laid out well with left pane displaying the currently selected channel strip and right side displaying the session lists at a glance. There are timeline lanes like Range which allows bouncing at any pre-defined range, ideal for mixing live albums or exporting a part of a mix. The Editor window is laid out comfortably with tools for editing, transport, counters, playback modes, song map and selection. Harrison Mixbus offers a few screens to work – the editor view that represents multitrack while the mixer view which represents console and others. Let us take a closer look at Harrison Mixbus. With such a long manufacturing history, Harrison makes it clear that their DAW is aimed at emulating the feel and sound of mixing on a console. While the brand is not so famous as Neve or SSL, their consoles are used in top music mixing and film studios around the world. Harrison has been making analog consoles since 1975 and has earned a reputation for producing world-class consoles, both analog and digital.
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